Cerith Wyn Evans — Testimoni oculisti in un viluppo ­misterioso

All’Hangar Bicocca le immateriali sculture fluttuanti di luce e suono di Cerith Wyn Evans procurano un’esperienza sinestetica piena di misteri in un bosco intessuto di citazioni e allusioni, che appaiono e spariscono a seconda del punto di vista. Barbara Fässler.

The whole text will be published in Kunstbulletin 1-2/2020

31.10.2019-23.2.2020

Hangar Bicocca Milano


Published in
Kunstbulletin 1-2/2020

Cerith Wyn Evans, StarStarStar/Steer (totransversephoton), 2019, Installation View, Pirelli HangarBicocca, Milano 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca.
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Cerith Wyn Evans, StarStarStar/Steer (totransversephoton), 2019, Installation View, Pirelli HangarBicocca, Milano 2019. Courtesy of the artist; White Cube and Pirelli HangarBicocca.

Cerith Wyn Evans. “…._t_h_e_ _I_l_l_u_m_i_n_a_t_i_n_g_ _G_a_s_”, Installation View, Pirelli HangarBicocca, Milano, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milano. Foto: Agostino Osio
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Cerith Wyn Evans. “….t_h_e I_l_l_u_m_i_n_a_t_i_n_g G_a_s”, Installation View, Pirelli HangarBicocca, Milano, 2019. Courtesy of the artist and Pirelli HangarBicocca, Milano. Foto: Agostino Osio

Cerith Wyn Evans, Neon Forms (After Noh I), 2015 (Detail), Courtesy of the artist; White Cube and Pirelli HangarBicocca. Foto: Agostino Osio
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Cerith Wyn Evans, Neon Forms (After Noh I), 2015 (Detail), Courtesy of the artist; White Cube and Pirelli HangarBicocca. Foto: Agostino Osio